10/31/2022 0 Comments First assistant director![]() ![]() The ability to plan ahead, trouble shoot and pay close attention to detail is vital in this role. They need exceptional organizational and time management skills. Firsts are also responsible for health and safety on set or location, and must take action to eliminate or minimize hazards at all times.įirst ADs must be authoritative team leaders and motivators, while also being approachable team players. They also control discipline on the set, supervise the other assistant directors, and oversee the preparation of the daily 'call sheet' (a document detailing daily shooting logistics, which is distributed to all cast and crew). During production, they must ensure that everyone is on standby and ready for the director's cue for action.įirst ADs' core responsibility is to keep filming on schedule by driving it forward, so they frequently make announcements and give directions to coordinate the cast and crew. Preparing the storyboard, overseeing the hiring of locations, props and equipment, and checking weather reports, are all key pre-production duties for Firsts. When drawing up the shooting schedule, First ADs must also be aware of budgetary constraints, cast availability and script coverage. Overall, they provide the key link between the director, the cast and the crew, while also liaising with the production office, and providing regular progress reports about the shoot.īefore the shoot, the Firsts' main task is to create the filming schedule, working in careful consultation with the director in order to fulfill his or her creative ambitions. They are also in charge of a department of other assistant directors and runners. Once the film is in production, Firsts are in charge of making sure that every aspect of the shoot keeps to this schedule.įirst ADs' main duties are assisting the director, coordinating all production activity, and supervising the cast and crew. They then draw up the overall shooting schedule (a timetable for the filming period). During pre-production, First ADs break down the script into a shot by shot storyboard, and work with the director to determine the shoot order, and how long each scene will take to film. #First assistant director freeThe First Assistant Director (AD) is the director's right hand person, taking responsibility for a number of important practicalities so that the director is free to concentrate on the creative process. It is very important to have good communication skills as you are responsible for liaising between many different departments and making sure that actors feel they can come to you with issues they may not want to approach a director with.Assistant Director (1st) What do Assistant Director (1st)s do? You are there to provide a strong support to their artistic vision and be an extra set of eyes and ears in the rehearsals. It could involve aiding script editing and development, sourcing experts within certain fields to come into the rehearsal room to provide talks to the actors, reading in for actors who aren’t present, organising rehearsal calls, running parallel rehearsals or leading games or warm-ups. This could entail pre-rehearsal research on the context of the play, the playwright or a certain concept that the director wants to explore. I direct theatre of my own on the fringe and I find that working within other directors' rehearsal rooms helps me learn about different processes and provides me with a wealth of experience of working within large teams.Īn assistant director is there to assist the director in delivering his or her creative vision. Every rehearsal throws up new discoveries and new challenges. I think this is what draws me to directing as no two projects or even days are the same. I have assisted on many shows from Shakespeare to West End musicals and every experience is completely unique. I have been assisting directors since I started studying at the Bristol Old Vic Theatre School and some rehearsals rooms have given me a better insight into what it is to be a director than studying years on the subject. The answer is, invariably, “it depends on which director I am assisting and what the play needs.” Vague I know, but true. A question I am regularly asked when I tell people about my current job status. ![]()
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